




As usual, it was all about the jacket. Low-buttoning, double-breasted ones seemed to be placing a new emphasis on the chest (or at least they did when Evandro Soldati was wearing them). Armani played with buttons (shiny) and lapels (trimmed, or shawl-collared for day). He jokily paired a gingham jacket with pants in a Prince of Wales check, paraded lacquered python for the obligatory glam moment, and matched blue jackets to shirts in the same shade for a surprisingly low-key finale.





The collection was called Sun and the City—mystifying, until the sun actually did break through the sea of concrete jungle tones, in the form of chartreuse belts and suede shoes, and a chrome-yellow leather jacket. Here comes summer.
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